CM089N - STORIA DELL'ARTE MODERNA NEI PAESI EUROPEI

courses
ID:
CM089N
Duration (hours):
42
CFU:
6
SSD:
STORIA DELL'ARTE MODERNA
Located in:
CHIETI
Url:
BENI ARCHEOLOGICI E STORICO-ARTISTICI/CORSO GENERICO Year: 2
Year:
2025
Course Catalogue:
https://unich.coursecatalogue.cineca.it/af/2025?co...

Overview

Date/time interval

Primo Semestre (01/10/2025 - 31/01/2026)

Syllabus

Course Objectives


The teaching contributes to the achievement of the educational objectives of the Bachelor's Degree in BASAR - Archaeological and Historic-Artistic Heritage, aiming to consolidate and deepen students' knowledge and methodologies in art history acquired during their master's studies. This is intended both to prepare students for potential employment in publishing houses, research and cultural institutions (public or private), cultural foundations, and academic institutions, and to support their prospects of entering doctoral programs in the future. Knowledge By the end of the course students should be able to analyse and critically interpret complex figurative texts of the modern era, recognising their stylistic and technical peculiarities in relation to the context of origin. Autonomy of judgement Students should acquire sufficient skills to carry out a technical and critical appraisal of a work of art Communication skills Students must be able to explain in appropriate terms and in a clear manner art-historical themes and problems of the modern era to specialists and non-specialists in order to be able to implement profitable interdisciplinary synergies with scholars from related disciplines

Course Prerequisites

Interest in the subject of art history and knowledge, even basic knowledge, of the major Italian artists of the Renaissance and Baroque.

Teaching Methods

Lectures with presentation of images under study and reading of critical texts. Visits to museums and monuments or to current exhibitions are planned during the lecture period.

Assessment Methods

Oral examination, graded in thirtieths, aimed at testing the ability to present the topics covered during the course with clarity and independent judgement.

Texts


Frédéric Elsig, L'arte del Quattrocento a nord delle Alpi. Da Jan Van Eyck ad Albrecht Dürer, Torino 2011. Tomaso Montanari, La libertà di Bernini. La sovranità dell'artista e le regole del potere, Torino 2016. Rudolf e Margot Wittkower, Nati sotto Saturno. La figura dell'artista dall'antichità alla Rivoluzione francese, Torino 2016. L. Lorizzo, Pellegrino Peri. Il mercato dell’arte nella Roma barocca, Roma 2010. Il libro dei conti del Guercino, 1629-1666, a cura di B. Ghelfi, con la consulenza scientifica di Sir Denis Mahon, Alfa Studio Editoriale per Elemond, Venezia 1997 (on line). F. Veratelli, Tra profitto e aneddoto. Il libro dei conti di età moderna: da lista pratica a fonte per la storia dell’arte, in Ricerche di S/Confine, Vol. XI, n. 1 (2022) (online - www.ricerchedisconfine).

Contents

Being artists in Europe between the Renaissance and Baroque. The course aims to outline, through case studies, the social and intellectual affirmation of the artist's figure between the 1400s and 1600s in Europe.

Course Language


Italian

More information

To achieve a good level of preparation, class attendance is strongly recommended, given the specificity of the topics covered

Degrees

Degrees

BENI ARCHEOLOGICI E STORICO-ARTISTICI 
Master’s Degree
2 years
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